The association of noise sensitivity with music listening, training, and aptitude.
Identifieur interne : 000037 ( Main/Exploration ); précédent : 000036; suivant : 000038The association of noise sensitivity with music listening, training, and aptitude.
Auteurs : Marina Kliuchko [Allemagne] ; Marja Heinonen-Guzejev ; Lucia Monacis ; Benjamin P. Gold ; Kauko V. Heikkil ; Vittoria Spinosa ; Mari Tervaniemi ; Elvira BratticoSource :
- Noise & health [ 1463-1741 ]
Descripteurs français
- KwdFr :
- Adulte (MeSH), Adulte d'âge moyen (MeSH), Aptitude (physiologie), Bruit (MeSH), Enseignement (MeSH), Femelle (MeSH), Finlande (MeSH), Humains (MeSH), Italie (MeSH), Masquage perceptif (MeSH), Musique (MeSH), Mâle (MeSH), Perception sonore (MeSH), Potentiels évoqués auditifs (MeSH), Seuil auditif (MeSH), Son (physique) (MeSH), Stimulation acoustique (méthodes), Temps (MeSH), Temps de réaction (MeSH).
- MESH :
- méthodes : Stimulation acoustique.
- physiologie : Aptitude.
- Adulte, Adulte d'âge moyen, Bruit, Enseignement, Femelle, Finlande, Humains, Italie, Masquage perceptif, Musique, Mâle, Perception sonore, Potentiels évoqués auditifs, Seuil auditif, Son (physique), Temps, Temps de réaction.
- Wicri :
English descriptors
- KwdEn :
- Acoustic Stimulation (methods), Adult (MeSH), Aptitude (physiology), Auditory Threshold (MeSH), Evoked Potentials, Auditory (MeSH), Female (MeSH), Finland (MeSH), Humans (MeSH), Italy (MeSH), Loudness Perception (MeSH), Male (MeSH), Middle Aged (MeSH), Music (MeSH), Noise (MeSH), Perceptual Masking (MeSH), Reaction Time (MeSH), Sound (MeSH), Teaching (MeSH), Time (MeSH).
- MESH :
- geographic : Finland, Italy.
- methods : Acoustic Stimulation.
- physiology : Aptitude.
- Adult, Auditory Threshold, Evoked Potentials, Auditory, Female, Humans, Loudness Perception, Male, Middle Aged, Music, Noise, Perceptual Masking, Reaction Time, Sound, Teaching, Time.
Abstract
After intensive, long-term musical training, the auditory system of a musician is specifically tuned to perceive musical sounds. We wished to find out whether a musician's auditory system also develops increased sensitivity to any sound of everyday life, experiencing them as noise. For this purpose, an online survey, including questionnaires on noise sensitivity, musical background, and listening tests for assessing musical aptitude, was administered to 197 participants in Finland and Italy. Subjective noise sensitivity (assessed with the Weinstein's Noise Sensitivity Scale) was analyzed for associations with musicianship, musical aptitude, weekly time spent listening to music, and the importance of music in each person's life (or music importance). Subjects were divided into three groups according to their musical expertise: Nonmusicians (N = 103), amateur musicians (N = 44), and professional musicians (N = 50). The results showed that noise sensitivity did not depend on musical expertise or performance on musicality tests or the amount of active (attentive) listening to music. In contrast, it was associated with daily passive listening to music, so that individuals with higher noise sensitivity spent less time in passive (background) listening to music than those with lower sensitivity to noise. Furthermore, noise-sensitive respondents rated music as less important in their life than did individuals with lower sensitivity to noise. The results demonstrate that the special sensitivity of the auditory system derived from musical training does not lead to increased irritability from unwanted sounds. However, the disposition to tolerate contingent musical backgrounds in everyday life depends on the individual's noise sensitivity.
DOI: 10.4103/1463-1741.165065
PubMed: 26356378
PubMed Central: PMC4900497
Affiliations:
Links toward previous steps (curation, corpus...)
Le document en format XML
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We wished to find out whether a musician's auditory system also develops increased sensitivity to any sound of everyday life, experiencing them as noise. For this purpose, an online survey, including questionnaires on noise sensitivity, musical background, and listening tests for assessing musical aptitude, was administered to 197 participants in Finland and Italy. Subjective noise sensitivity (assessed with the Weinstein's Noise Sensitivity Scale) was analyzed for associations with musicianship, musical aptitude, weekly time spent listening to music, and the importance of music in each person's life (or music importance). Subjects were divided into three groups according to their musical expertise: Nonmusicians (N = 103), amateur musicians (N = 44), and professional musicians (N = 50). The results showed that noise sensitivity did not depend on musical expertise or performance on musicality tests or the amount of active (attentive) listening to music. In contrast, it was associated with daily passive listening to music, so that individuals with higher noise sensitivity spent less time in passive (background) listening to music than those with lower sensitivity to noise. Furthermore, noise-sensitive respondents rated music as less important in their life than did individuals with lower sensitivity to noise. The results demonstrate that the special sensitivity of the auditory system derived from musical training does not lead to increased irritability from unwanted sounds. However, the disposition to tolerate contingent musical backgrounds in everyday life depends on the individual's noise sensitivity. </div></front></TEI><pubmed><MedlineCitation Status="MEDLINE" Owner="NLM"><PMID Version="1">26356378</PMID><DateCompleted><Year>2015</Year><Month>11</Month><Day>06</Day></DateCompleted><DateRevised><Year>2018</Year><Month>11</Month><Day>13</Day></DateRevised><Article PubModel="Print"><Journal><ISSN IssnType="Print">1463-1741</ISSN><JournalIssue CitedMedium="Print"><Volume>17</Volume><Issue>78</Issue><PubDate><MedlineDate>2015 Sep-Oct</MedlineDate></PubDate></JournalIssue><Title>Noise & health</Title><ISOAbbreviation>Noise Health</ISOAbbreviation></Journal><ArticleTitle>The association of noise sensitivity with music listening, training, and aptitude.</ArticleTitle><Pagination><MedlinePgn>350-7</MedlinePgn></Pagination><ELocationID EIdType="doi" ValidYN="Y">10.4103/1463-1741.165065</ELocationID><Abstract><AbstractText>After intensive, long-term musical training, the auditory system of a musician is specifically tuned to perceive musical sounds. We wished to find out whether a musician's auditory system also develops increased sensitivity to any sound of everyday life, experiencing them as noise. For this purpose, an online survey, including questionnaires on noise sensitivity, musical background, and listening tests for assessing musical aptitude, was administered to 197 participants in Finland and Italy. Subjective noise sensitivity (assessed with the Weinstein's Noise Sensitivity Scale) was analyzed for associations with musicianship, musical aptitude, weekly time spent listening to music, and the importance of music in each person's life (or music importance). Subjects were divided into three groups according to their musical expertise: Nonmusicians (N = 103), amateur musicians (N = 44), and professional musicians (N = 50). The results showed that noise sensitivity did not depend on musical expertise or performance on musicality tests or the amount of active (attentive) listening to music. In contrast, it was associated with daily passive listening to music, so that individuals with higher noise sensitivity spent less time in passive (background) listening to music than those with lower sensitivity to noise. Furthermore, noise-sensitive respondents rated music as less important in their life than did individuals with lower sensitivity to noise. The results demonstrate that the special sensitivity of the auditory system derived from musical training does not lead to increased irritability from unwanted sounds. However, the disposition to tolerate contingent musical backgrounds in everyday life depends on the individual's noise sensitivity. </AbstractText></Abstract><AuthorList CompleteYN="Y"><Author ValidYN="Y"><LastName>Kliuchko</LastName><ForeName>Marina</ForeName><Initials>M</Initials><AffiliationInfo><Affiliation>Cognitive Brain Research Unit, Institute of Behavioural Sciences, University of Helsinki, Helsinki; Department of Music, University of Jyväskylä, Jyväskylä, Finland, .</Affiliation></AffiliationInfo></Author><Author ValidYN="Y"><LastName>Heinonen-Guzejev</LastName><ForeName>Marja</ForeName><Initials>M</Initials></Author><Author ValidYN="Y"><LastName>Monacis</LastName><ForeName>Lucia</ForeName><Initials>L</Initials></Author><Author ValidYN="Y"><LastName>Gold</LastName><ForeName>Benjamin P</ForeName><Initials>BP</Initials></Author><Author ValidYN="Y"><LastName>Heikkilä</LastName><ForeName>Kauko V</ForeName><Initials>KV</Initials></Author><Author ValidYN="Y"><LastName>Spinosa</LastName><ForeName>Vittoria</ForeName><Initials>V</Initials></Author><Author ValidYN="Y"><LastName>Tervaniemi</LastName><ForeName>Mari</ForeName><Initials>M</Initials></Author><Author ValidYN="Y"><LastName>Brattico</LastName><ForeName>Elvira</ForeName><Initials>E</Initials></Author></AuthorList><Language>eng</Language><PublicationTypeList><PublicationType UI="D016428">Journal Article</PublicationType><PublicationType UI="D013485">Research Support, Non-U.S. Gov't</PublicationType></PublicationTypeList></Article><MedlineJournalInfo><Country>India</Country><MedlineTA>Noise Health</MedlineTA><NlmUniqueID>9815620</NlmUniqueID><ISSNLinking>1463-1741</ISSNLinking></MedlineJournalInfo><CitationSubset>IM</CitationSubset><MeshHeadingList><MeshHeading><DescriptorName UI="D000161" MajorTopicYN="N">Acoustic Stimulation</DescriptorName><QualifierName UI="Q000379" MajorTopicYN="N">methods</QualifierName></MeshHeading><MeshHeading><DescriptorName UI="D000328" MajorTopicYN="N">Adult</DescriptorName></MeshHeading><MeshHeading><DescriptorName UI="D001076" MajorTopicYN="N">Aptitude</DescriptorName><QualifierName UI="Q000502" MajorTopicYN="N">physiology</QualifierName></MeshHeading><MeshHeading><DescriptorName UI="D001309" MajorTopicYN="Y">Auditory Threshold</DescriptorName></MeshHeading><MeshHeading><DescriptorName UI="D005072" MajorTopicYN="N">Evoked Potentials, Auditory</DescriptorName></MeshHeading><MeshHeading><DescriptorName UI="D005260" MajorTopicYN="N">Female</DescriptorName></MeshHeading><MeshHeading><DescriptorName UI="D005387" MajorTopicYN="N" Type="Geographic">Finland</DescriptorName></MeshHeading><MeshHeading><DescriptorName UI="D006801" MajorTopicYN="N">Humans</DescriptorName></MeshHeading><MeshHeading><DescriptorName UI="D007558" MajorTopicYN="N" Type="Geographic">Italy</DescriptorName></MeshHeading><MeshHeading><DescriptorName UI="D008144" MajorTopicYN="Y">Loudness 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Gold</name><name sortKey="Heikkil, Kauko V" sort="Heikkil, Kauko V" uniqKey="Heikkil K" first="Kauko V" last="Heikkil">Kauko V. Heikkil</name><name sortKey="Heinonen Guzejev, Marja" sort="Heinonen Guzejev, Marja" uniqKey="Heinonen Guzejev M" first="Marja" last="Heinonen-Guzejev">Marja Heinonen-Guzejev</name><name sortKey="Monacis, Lucia" sort="Monacis, Lucia" uniqKey="Monacis L" first="Lucia" last="Monacis">Lucia Monacis</name><name sortKey="Spinosa, Vittoria" sort="Spinosa, Vittoria" uniqKey="Spinosa V" first="Vittoria" last="Spinosa">Vittoria Spinosa</name><name sortKey="Tervaniemi, Mari" sort="Tervaniemi, Mari" uniqKey="Tervaniemi M" first="Mari" last="Tervaniemi">Mari Tervaniemi</name></noCountry><country name="Allemagne"><region name="Uusimaa"><name sortKey="Kliuchko, Marina" sort="Kliuchko, Marina" uniqKey="Kliuchko M" first="Marina" last="Kliuchko">Marina Kliuchko</name></region></country></tree></affiliations></record>Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Musique/Musamat/explor/AmatMusicianV1/Data/Main/Exploration
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|wiki= Musique/Musamat
|area= AmatMusicianV1
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|étape= Exploration
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|clé= pubmed:26356378
|texte= The association of noise sensitivity with music listening, training, and aptitude.
}}
Pour générer des pages wiki
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